{"version":"1.0","provider_name":"Cin\u00e9ma Moderne","provider_url":"https:\/\/www.cinemamoderne.com\/en\/","title":"Montreal Critic's Week - UNDR - Cin\u00e9ma Moderne","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"6aCBJWdKqw\"><a href=\"https:\/\/www.cinemamoderne.com\/en\/films\/details\/montreal-critics-week-undr\/\">Montreal Critic&#8217;s Week &#8211; UNDR<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cinemamoderne.com\/en\/films\/details\/montreal-critics-week-undr\/embed\/#?secret=6aCBJWdKqw\" width=\"600\" height=\"338\" title=\"&#8220;Montreal Critic&#8217;s Week &#8211; UNDR&#8221; &#8212; Cin\u00e9ma Moderne\" data-secret=\"6aCBJWdKqw\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cinemamoderne.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.cinemamoderne.com\/wp-content\/uploads\/2024\/12\/UNDR-principale-730x541.png","thumbnail_width":730,"thumbnail_height":541,"description":"Dans ce compl\u00e9ment \u00e0 son r\u00e9cent long m\u00e9trage A Fidai Film, Kamal Aljafari d\u00e9ploie des images d\u2019archive qui montrent un paysage \u00e0 la fois moderne et ancien, imagin\u00e9 mais tristement r\u00e9el, o\u00f9 les fermiers au travail et les enfants au jeu sont interrompus par le dynamitage incessant du paysage, visant \u00e0 refa\u00e7onner le territoire et \u00e0 s\u2019approprier l\u2019histoire de la Palestine."}