{"version":"1.0","provider_name":"Cin\u00e9ma Moderne","provider_url":"https:\/\/www.cinemamoderne.com\/en\/","title":"Montreal Critic's Week - M\u00e9moire fertile - Cin\u00e9ma Moderne","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"yUeKEvVWEL\"><a href=\"https:\/\/www.cinemamoderne.com\/en\/films\/details\/montreal-critics-week-memoire-fertile\/\">Montreal Critic&#8217;s Week &#8211; M\u00e9moire fertile<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cinemamoderne.com\/en\/films\/details\/montreal-critics-week-memoire-fertile\/embed\/#?secret=yUeKEvVWEL\" width=\"600\" height=\"338\" title=\"&#8220;Montreal Critic&#8217;s Week &#8211; M\u00e9moire fertile&#8221; &#8212; Cin\u00e9ma Moderne\" data-secret=\"yUeKEvVWEL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cinemamoderne.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.cinemamoderne.com\/wp-content\/uploads\/2024\/12\/Fertile1.png","thumbnail_width":957,"thumbnail_height":619,"description":"Written in 1978, Fertile Memory is the first film shot by a Palestinian director within the borders of the West Bank. Neither documentary nor fiction, Michel Khleifi instead films the lives of two women who resist in their own distinct ways: Farah Hatoum, a widow who cares for her children and grand-children and still hopes to recover her land expropriated by Israel in 1948, as well as Sahar Khalifeh, Palestinian novelist (Wild Thorns; The Inheritance; The End of Spring) who proudly lives on occupied territory. Within this contrast between mother and intellectual, domesticity and discourse, Khleifi captures essential images of Palestinian life, as well as the commonality of existence under apartheid, as a constant quest for freedom and dignity."}