1.0Cinéma Modernehttps://www.cinemamoderne.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="cqcQR43zGa"><a href="https://www.cinemamoderne.com/en/films/details/human-flowers-of-flesh-2/">Human Flowers of Flesh</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.cinemamoderne.com/en/films/details/human-flowers-of-flesh-2/embed/#?secret=cqcQR43zGa" width="600" height="338" title="“Human Flowers of Flesh” — Cinéma Moderne" data-secret="cqcQR43zGa" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.cinemamoderne.com/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://www.cinemamoderne.com/wp-content/uploads/2023/03/human-flowers-still1-scaled-e1679408171838.jpeg25601539After a stirring encounter with the French Foreign Legion, Ida (Dogtooth’s Angeliki Papoulia), sets sail with her own corps of five men, none of whom speak the same language, to trace the route of this fabled troop. Their voyage will take them from Marseille to Corsica and finally to Sidi Bel Abbès, Algeria, the historical headquarters of the Legion. Along the way, boundaries blur. Life at sea produces a special kind of mutual understanding. A legionnaire of yore makes an about-face. In her spellbinding follow-up to the critically acclaimed Drift, Helena Wittmann invites us to relinquish control and join her on a Mediterranean voyage unlike any other.